Early in May, I led a workshop on “Practicing Without Your Guitar” at the York Region Fingerstyle Guitar Association’s monthly Open Mic. I am now working on getting some of the insights from that workshop written down and posted. In this, the third of four installments, I am going to talk about working on Rhythm and Tempo without your guitar.
A while ago I wrote about attending a guitar workshop led by David Ross MacDonald at the Eaglewood Folk Festival. In that workshop he talked about how he used a sort of two step to embed various rhythms (i.e eighths, triplets, sixteenths, etc.) into his brain. You can also tap out rhythms in time with your metronome, or even use your left hand to tap out a steady beat while tapping out more complex rhythms with the right (or vice versa, if that’s how you’re wired).
One of the biggest challenges for many musicians is starting at the right tempo. As it turns out, our brains have a remarkable capacity for reproducing the tempo of well known songs. For example, according to Daniel Levitin, in his book, “This Is Your Brain On Music”, we can use the following songs to find the following tempos:
“Hotel California”, by The Eagles – 75 beats per minute
“Back in Black”, by AC/DC – 96 bpm
“Walk This Way” by Aerosmith – 112 bpm
“Billie Jean” by Michael Jackson – 116 bpm
This is a technique that I have found to be very helpful.
Hopefully, you can use some of these ideas to improve your musicianship without building callouses.
Stay tuned for Part IV: Listening and Ear Training