Well, I’ve started…
The first track that I am going to record is Richard Gilewitz’s “Echoing Wilderness”. I’ll be playing the abridged version, similar to the one that Leo Kottke recorded, rather than the much longer original.
I’ve decided that I will use a “click track” to record this tune. A “click track” is basically a metronome that plays while you record. There are many reasons to use a click track, most of which are outlined in this excellent article: Why Smart Songwriters Use Click Tracks
Some people hate click tracks, some love them. I think that they are a great tool but not universally required. (For now…)
I timed out “Echoing Wilderness” at about three and a half minutes, so I created a three and a half minute click track [Generate>Click Track] at 72 beats per minute (bpm), which I figured to be about the right tempo.
At 72 beats per minute, the song is longer than three and a half minutes. I was still playing the outro when the click track stopped. “Perfect!” I thought, since a wanted to slow down at the end anyways. What I didn’t realize was that when the click track stopped, the recording stopped, so I didn’t actually record the last bit of the tune.
This time, I created a 4:30 long click track at 76 bpm and then “silenced” the last minute [select the last minute of the track, Generate>Silence] to allow for slowing down in the outro.
I wasn’t able to get a clean recording with my remaining time and 76 bpm is possibly still a bit slow, but I did get a guitar track that I could play with a bit to see how I could manipulate the recording with Audacity. I played around with adding reverb and experimented with other techniques for “fattening up” the sound.
More to come…
Here is Richard Gilewitz playing Leo Kottke’s version of his song:
(If you care, it’s played in Open D: DADF#AD)
… and now that I’ve watched the above video again, 76 bpm might be a lot slow…
It’s interesting how much a tune can change over the years from the time you learn it, if you never refer back to the original.