Advice from David Ross MacDonald
In my last post I talked about attending a guitar workshop with David Ross MacDonald and shared his thoughts on making mistakes when we are performing. This time I’m going to share some of his thoughts on practicing.
One of the things that he talked about was practicing without the guitar. He suggested that to build our internal sense of rhythm, we should use our feet. Apparently, David spends a lot of time doing a sort of two-step which I’ve tried to illustrate on the left.
As he “two-steps”, he counts out various rhythms in time with his feet. For example:
Clear as mud??? Hopefully you get what I’m trying to explain here.
You could also clap out these rhythms while two-stepping to help embed them in your brain.
Now play your guitar while doing this two-step. The idea is that as you practice you will “trust your feet” to keep the rhythm of the tune intact, making us more aware of our hesitations and those times when we speed up through difficult passages.
Another suggestion he had was to find a 3-minute egg timer – one of the old-school hourglass-type ones with the sand that flows through it. (Good luck with this – if you know where to get one, let me know!) Using the timer when working on scales, exercises, etc keeps us from spending too little time on the difficult things and too much time on the easy ones. It also gives us a demonstration of the relative nature of time – passing quickly on the easy bits and creeping along on the hard ones!
As part of his discussion of performance mistakes that I covered in my last post, he also talked about the learning opportunity that those mistakes give us. Making mistakes in public performance is different from making them privately. Apparently, when we make a mistake while performing, our brain triggers a shot of adrenaline which helps us to remember to not make that mistake in the future. This is certainly consistent with my experience – the tunes that I have performed most often are the ones that I play best, even though they are not necessarily the ones that I have practiced most.
He also talked of other things – knowing the fundamentals of music theory, singing intervals, and that sort of thing – all good advice, but these were three practical suggestions that I hadn’t heard before. What things have you added to your practice routines that have made a big difference?
David Ross MacDonald’s website: www.DavidRossMacDonald.com